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[뉴욕현대미술관 5월 소식] Get ready for a new MoMA—preview fall 2019 and beyond
 
과학관과 문화 기사입력  2019/05/13 [15:36]
 
May 1, 2019
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MoMA
 
 

We’re thrilled to share more about what you’ll see in our opening year.

 

From a celebration of modern Latin American art to 11 watershed installations by living artists from the past 20 yearsto explorations of artists Betye Saar and Pope.L—see it all when we reopen on October 21.


Our expanded Museum will also bring the Studio, our new space dedicated to live and experimental programming, to life.

 

Find out more about what’s ahead, and become a member today to experience it first.

 

Here are some highlights of what you’ll see in a new MoMA:

 
 
 
 

Betye Saar: The Legends of Black Girls Window

 

Explore Saar’s experimental print practice and the evolution of her artistic language, tracing themes of family, history, and mysticism.

 

 
 

Sur moderno: Journeys of Abstraction—The Patricia Phelps de Cisneros Gift

 

Discover the transformative power of abstraction in Brazil, Venezuela, Argentina, and Uruguay, where artists reinvented the art object itself and the role of art in social renewal.

 
 
 
 

David Tudor and Composers
Inside Electronics


Immerse yourself in Tudor’s landmark sound installation, a chirping, croaking, clicking, and ringing forest of sound that “performs itself.”

 
 

Surrounds: 11 Installations

 

Spanning the entire sixth floor, this exhibition presents individualized, immersive experiences by contemporary artists including Shelia Hicks, Hito Steyerl, and Janet Cardiff and George Bures Miller.

 
 
 
 
 
 
Coming Up
 
 
 
 

Dorothea Lange: Words and Pictures

Opens Feb 2020


Trace the relationship between Lange’s incisive photographs and her photo-essays for LIFE magazine, the landmark photobook An American Exodus, and her examination of the US criminal justice system.

 

 
 

Donald Judd
Opens Mar 2020

 

Explore the remarkable vision of an artist who revolutionized the language of sculpture—from his early expressionist paintings to his hollow boxes and stacks made with metals and plastics to his extensive engagement with color.

 

 
 
 
 
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© 2019 The Museum of Modern Art
 

Images: María Freire. Untitled. 1954. Oil on canvas. The Museum of Modern Art, New York. Gift of Patricia Phelps de Cisneros through the Latin American and Caribbean Fund in honor of Gabriel Pérez‑Barreiro; Pope.L. The Great White Way, 22 Miles, 9 Years, 1 Street. 2000–09. Performance. © Pope.L. Courtesy of the artists and Mitchell–Innes & Nash, New York; Dayanita Singh. Museum of Chance. 2013. 162 pigmented inkjet prints and teak structures, variable dimensions. The Museum of Modern Art, New York. Acquired with support from The Contemporary Arts Council of The Museum of Modern Art, The Modern Women's Fund, and Committee on Photography Fund. © 2019 Dayanita Singh, courtesy the artist and Frith Street Gallery; Donald Judd. Untitled. 1991. Enameled aluminum. The Museum of Modern Art, New York. Bequest of Richard S. Zeisler and gift of Abby Aldrich Rockefeller (both by exchange) and gift of Kathy Fuld, Agnes Gund, Patricia Cisneros, Doris Fisher, Mimi Haas, Marie-Josée and Henry R. Kravis, and Emily Spiegel. © 2019 Judd Foundation/Artists Rights Society (ARS), New York. Photo: John Wronn; Betye Saar. Black Girl’s Window (detail). 1969. Wooden window frame with paint, cut-and-pasted printed and painted papers, daguerreotype, lenticular print, and plastic figurine. The Museum of Modern Art, New York. Gift of Candace King Weir through The Modern Women’s Fund, and Committee on Painting and Sculpture Funds. © 2019 Betye Saar, courtesy the artist and Roberts Projects, Los Angeles. Digital Image © 2019 The Museum of Modern Art, New York. Photo: Rob Gerhardt; Alfredo Hlito. Ritmos cromáticos III (Chromatic Rhythms III). 1949. Oil on canvas. The Museum of Modern Art, New York. Gift of Patricia Phelps de Cisneros through the Latin American and Caribbean Fund; David Tudor. Rainforest V (Variation 1) (detail). 1973–2015. Twenty objects, sound, dimensions variable. Realized by Composers Inside Electronics, Inc. (John Driscoll, Phil Edelstein, and Matt Rogalsky). The Museum of Modern Art, New York. Committee on Media and Performance Art Funds. © 2019 David Tudor and Composers Inside Electronics Inc. Courtesy BROADWAY 1602 UPTOWN & HARLEM, New York; Janet Cardiff, George Bures Miller. The Killing Machine. 2007. Pneumatics, robotics, elector magnetic beaters, dentist chair, electric guitar, computer, various control systems, and sound. Gift of the Julia Stoschek Foundation, Düsseldorf, and the Dunn Bequest. © 2019 Janet Cardiff and George Bures Miller. Photo: Seber Ugarte & Lorena López. Courtesy the artist, Luhring Augustine, New York; Dorothea Lange. Migrant Mother, Nipomo, California (detail). 1936. Gelatin silver print. The Museum of Modern Art, New York. Purchase; Donald Judd. Untitled. 1966/68. Stainless steel and Plexiglas in six parts. Layton Art Collection Inc., Purchase, at the Milwaukee Art Museum. © 2019 Judd Foundation/Artists Rights Society (ARS), New York. Photo: John R. Glembin

 


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기사입력: 2019/05/13 [15:36]  최종편집: ⓒ sciencecc.com
 
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