© 2019 The Museum of Modern Art
Images from top: A view of the second-floor collection galleries. Shown (from left): Scott Burton. Perforated Metal Settee and Perforated Metal Chairs. 1988–89. Aluminum. Scott Burton Fund. © 2019/Artists Rights Society (ARS), New York; Keith Haring. Untitled. 1982. Ink on two sheets of paper. Gift of the Estate of Keith Haring, Inc. © 2019 The Keith Haring Foundation. Photo: Noah Kalina; A view of the second-floor collection galleries. Shown: Chris Ofili. The Holy Virgin Mary. 1996. Acrylic, oil, polyester resin, paper collage, glitter, map pins, and elephant dung on canvas. Gift of Steven and Alexandra Cohen. © 2019 The Museum of Modern Art, New York; A view of the Marie-Josée and Henry Kravis Studio. Shown: David Tudor with John Driscoll, Phil Edelstein, Composers Inside Electronics Inc. Rainforest V (variation 1). 1973–2015. Twenty objects, sound, dimensions variable. Realized by Composers Inside Electronics Inc. (John Driscoll, Phil Edelstein, and Matt Rogalsky). The Museum of Modern Art, New York. Committee on Media and Performance Art Funds. © 2019 David Tudor and Composers Inside Electronics Inc. Courtesy BROADWAY 1602 UPTOWN & HARLEM, New York. Installation view, The Museum of Modern Art, New York, October 21, 2019–January 5, 2020. Photo: Noah Kalina; Torolab’s Transborder Workshop: Usonian Walls, September 14, 2017, The Museum of Modern Art. Photo: Beatriz Meseguer/onwhitewall.com. © 2019 The Museum of Modern Art, New York
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